It has been the location where a great many of his own albums have been recorded, along with those by musicians on his Real World record label, and others who have hired the space known as the 'Big Room' or other spaces such as the 'Wood Room'. It also offers a residential experience.
Often when starting a project or piece of writing, a simple thing to do is to search for particular phrases to see what comes up in terms of websites, writing, academic articles and other resources which may be of interest.
This song by Jake Thackray is described by Stuart Maconie as "maybe the best song about the northern landscape ever written, and one that expresses the link between us and the "hard beautiful indifference" of the countryside we grew up in."
My mum loves Jake's music and saw him play live several times, going back many years... there are plenty of songs that benefit from his lugubrious (I like that word) singing voice.... 'Bantam Cock' is another...
The rain is on the mountainside, The beast is in the silent meadow, The north countryside is patiently waiting again. Blackbird is dumb in the juniper, Lapwing shivers in the dripping thicket, Down in the stone-faced town, one door opens.
In a similar vein, check out the often-humorous songs of Bernard Wrigley, who has done a bit of acting too.... Coronation Street, Emmerdale, Phoenix Nights, Dinnerladies, Alan Bennett films, Brassed Off etc.
Today in 1998 I was down in London at Horse Guards Parade for the world premiere of Tubular Bells 3. I had been teaching during the day, and was picked up by my brother-in-law - another big fan of Mike's music - who drove us to Cambridge where we got the train to London.
The weather forecast was not great, but I had my Gore-Tex jacket which I was fairly sure would keep me fairly dry.
The venue was impressive and historic. The stage was set and we had decent enough seats.
We weren't expecting there to be a support act.. then Martyn Joseph came on stage.
And just as the concert was about to start, so did the rain... and it poured down.
There were thousands of men in the rain...
There was also a feeling that not all of the sounds were played live... certainly the glasses filled with water which were note for note perfect... the rain itself would have taken the glasses out of tune...
The concert itself was short - a run through of the album and the encore wasn't any new track, and there were no other Tubular bits.
The guitar solos were superb of course and it was Mike playing live, so you couldn't really complain!
I still have the polo shirt I bought when I arrived - just as well as the merchandise ran out quite quickly it seems from other memories of the evening.
It's an interesting visual variation on Setlist.FM - using its data / API. There's a few issues as the first act I tried: Mike Oldfield had some concerts without set lists on the site so the data is incomplete..
Pick a band, tick off the nights you were actually in the room, and get the record back: every song you’ve heard them play live, how many times you’ve heard each one, the tours you were part of, and a print-resolution poster of it all.
It’s free, there’s nothing to install, and an account is optional - your nights are saved on your own device unless you ask them to follow you elsewhere. How it works
Find the band.
Search any artist, or start from the names in the ticket fan. Tick the nights you were at. Their whole documented touring history is there, newest first - dates, venues, cities and tours.
Already log your shows on setlist.fm? Paste your username on the home page and your “I was there” list arrives already ticked. Read your record.
Every song you’ve heard live and how often, your tours, your cities and countries, the rarities you happened to catch - and the nights that made them. Print it.
An A4, print-resolution poster styled for the artist, plus ticket stubs and a map of where you’ve been. Keep them in your collection and re-print any time.
It allows you to generate various graphics such as the ones below:
And here's one for Rush... again, it's not quite correct...
It has a distinctive call. I've heard it once or twice in my life.
Capercaillie is also the name for a Scottish band which have been around for over 25 years. I have been listening to their music for as long as that, and have seen them play live quite a few times, most recently when they visited King's Lynn's Corn Exchange - which meant my shortest ever trip to one of their gigs.
Here's one of several ticket stubs that I have from seeing them. This was a standing ticket for the Cambridge Corn Exchange back in 1995. It would have been a cold drive over to Cambridge on a school night and they played plenty of songs from their album at the time.
I have a number of their albums on CD and had a few vinyls back in the day.
Capercaillie have recorded an album with the Soul II Soul producer Will Mowat in 1994 - a reworking of their album Delirium.
Here's Coisich a Ruin from Delerium...
And the 'When your Return Widescreen Mix' from the album with Will Mowat.
More recently, they reinterpreted some of their songs with an orchestra.
Members of the band have also released their own albums separately and several of those are well worth mentioning here for your further exploration as well.
These include Manus Lunny's excellent album with Andy Stewart.
Karen Matheson has released a number of solo albums.
Donald Shaw has worked as a producer as well and created soundtracks.
He also worked on the music for Katie Morag: a book series which many Primary geographers will be familiar with, and will have used
The violinist Charlie McKerron worked with Donald Shaw to produce music for a BBC Alba TV series.
A recent addition to the band Andrew McGoldrick has also released a number of solo albums which I own.
Here's a Hogmanay performance from New Years Eve 1991/2
Most recently, they played Sidmouth Folk Festival 2026 when I was down in Devon for the week.
Polyphonic singing, in the Georgian language, is a secular tradition in a country whose language and culture have often been oppressed by invaders. There are three types of polyphony in Georgia: complex polyphony, which is common in Svaneti; polyphonic dialogue over a bass background, prevalent in the Kakheti region in Eastern Georgia; and contrasted polyphony with three partially improvised sung parts, characteristic of western Georgia.
An ensemble called Lalkhori played in London earlier in the year.
They are from the Svaneti region of the North Caucasus mountains of Georgia.
This is a vocal rendering of a song about the changing nature of England's 'green and pleasant land'.
It's by a group called The Young 'Uns, who perform vocal arrangements of songs.
Listen carefully to the lyrics to get a sense for its focus:
For England is not flag or empire, it's not money, it's not blood It's limestone gorge and granite fell, it's Wealden clay and Severn mud Blackbirds singing from the May-tree, lark ascending through the scales Robin watching from your spade and English earth beneath your nails
What landscapes would you choose to represent the best of England?
Image: Castle Acre, Norfolk - in a place called England - image by Alan Parkinson, shared on Flickr under CC license.
There are lots of locations around the world where singing in a particular language has historically been an act of defiance or protest as well as claiming an identity.
Since 1990, the event has been held at Black Rock City in northwestern Nevada, a temporary city erected in the Black Rock Desert about 100 miles (160 km) north-northeast of Reno.
Those who take part in the event are called 'Burners'.
It has made the news a few times because of weather or other issues which have caused issues for festival goers and the landscape within which the festival takes place.
Unlike most festivals, the organisers have had to provide a 20 page Survival Guidewhich provides guidance on preparations and staying safe in what is an extreme - dry, hot and dusty environment.
Downloadable as a PDF.
Accompanying text:
Black Rock City has a way of bringing about once-in-a-lifetime experiences. While the big, flashy moments make the headlines and become the clickbait, many of the most memorable encounters come from small, personal, and whimsical interactions. This year, I challenge you to do something personal that fosters interaction and connection. Think of traveling the backstreets, sharing your gifts with new friends, or sparking a moment of serendipity beneath a small art piece. These moments of self-expression and open-hearted connection are truly the ones that resonate, creating ripples in the dust and in our lives. Joining a crew or communal effort is a great way to get involved. There are so many possibilities; find one that matches your interests and energy levels. However you choose to participate — organizing a camp, building art or a vehicle, helping with civic infrastructure or making the city run — know you are contributing to something bigger than yourself. I am sure your time here will open new horizons and you’ll meet some amazing people. Ask anyone on a Burning Man crew or volunteer team what they love most about it, and they will tell you it’s about the work, and the friendships.
Imagine who you could meet — someone who could change your life, not just in Black Rock City, but forever. Whether this is your first, or twenty-first Burn, I can’t wait to share this experience with you. Charlie Dolman, Director of Event Operations
Via LinkedIn and a piece by Amanda Shendruk: a visual journalist.
Each year, 70,000 people gather on a dry lakebed in Nevada to build a city from scratch. This is Black Rock City, home to the infamous Burning Man event. Eight days later, it's gone.
But 150 people remain. They line up — side by side, an arms width apart — and slowly walk the 3,800 acres (15.4 km²) of dusty playa. They're looking for MOOP: Matter Out of Place. A screw, a sequin, a cigarette butt.
This forensic-style sweep takes weeks; everything they find is removed and logged. At the end, they're left with a remarkable accounting of what 70,000 people left behind: The MOOP Map. And I'm obsessed.
This is an intriguing concept album from the late musician Hector Zazou. He produced a number of eclectic albums.
Songs from the Cold Seas was released in 1994.
The theme is that all of the songs are about the Arctic (and feature musicians from that part of the world or close to it.)
He travelled three years for the record. He was accompanied by cameraman Philippe Roméo as he recorded traditional folk songs in and from Alaska, Canada (Newfoundland), Greenland, Iceland, Japan, Scandinavia and Scotland. He incorporated the shamanic incantations and lullabies of aboriginal people such as the Ainu, Inuit, Nanai, and Yakuts.
"I didn't want to work like an ethnomusicologist and just go to Sweden and come back with a song." Zazou explained the process at the time of the album's release. "I was more interested in giving a poetic image of the North, which means that some elements are true; some are not true. It's my portrait of the cold seas."
Source: Wikipedia
I have a copy. It's not very easy to find this release now.
Here's one of the songs from the album. Oran na Maighdean Mhara features the voice of Catherine-Ann Macphee.
Growing up in the 60s and 70s was an interesting time to be a young person. There weren't many TV channels... and not much programming aimed at young people.
In the summer holidays there were some programmes for children. Many of them were bought in from other countries rather than being made in the UK. We had our own examples of course.
The Banana Splits are up first.
They had several short cartoons including 'The Arabian Nights'.
Robinson Crusoe - a French / German co-production in black and white.
The theme tune was excellent and instantly takes me back to a time when Lucozade bottles were wrapped in orange plastic film.
White Horses
Another French co-production.
Hair Bear Bunch
Which of these do you remember and which other programmes are part of your childhood?
Freddie Mercury | Splendid Things marks what would have been the singer's 80th birthday by showcasing some of his looks from the 1970s-80s, spanning both his time in Queen and his solo career. the display is spread throughout the building.
The trail has six stops, each showcasing a different high of Mercury's career within a dramatic setting in the museum's galleries — specially-placed mannequins posed to channel Mercury's stage presence.
The outfits on display — seven of which have been loaned by Mary Austin, Mercury's former fiancée and confidante of 20 years — include:
A monochrome outfit which Queen fans may recognise from the cover of the band's 1973 debut album. Mercury also wore it at an early Queen gig at Imperial College here in London.
The Mercury Wing catsuit, designed by Wendy de Smet, made famous in the Bohemian Rhapsody video, also worn by Mercury during the 1975-6 Night At The Opera tour.
The crown and cloak designed by Diana Moseley, worn on the Magic tour, including Mercury's last appearance with Queen, on stage at Knebworth in 1986.
The costume worn by Mercury in the Made in Heaven music video during his solo career away from Queen.
Accessories and items from Mercury's personal wardrobe are also on display, offering an insight into the man he was off stage, and away from the spotlight.
Here are some more suggestions for songs that remind readers (and those who filled in the Google Form down the right hand column of the blog.
Goodness, so many!
90's indie music still takes me back to Uni. The strongest and earliest connections are Ned's Atomic Dustbin - Happy, Nirvana - Smells Like Teen Spirit and Metallica - Enter Sandman.
All three make me think of sixth form, so I'm guessing they were out around 1992.
I have many songs from earlier than I just can't listen to as I associate them with my childhood, which wasn't particularly happy. I think the 1992 (ish) ones are so memorable as that's the time in my life when I started to feel like I had some control.